Susan Hale and Betty Hazylett are two outstanding felt artists whose work will be in our show. Here is what they have to say about their art.
Susan Hale: I've been involved
with fiber in one form or another for over 30 years. I took my first weaving
class in 1978. I have studied spinning and traveled for several years
exhibiting and selling my soft sculpture at art shows.
Four years
ago, I was introduced to felting. Starting with needle-felting, I moved on to
traditional wet felting, taking workshops and classes with well-known felt
artists, including Nicola Brown, Andrea Graham, Jean Gauger, Pamela MacGregor,
Sharit VanDerMeer, Elis VerMuelen, Dawn Edwards and Chad Alice Hagen.
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Medicine Bowl |
My work has
been included at the Textile Center of Minnesota in their gallery shop, the
Kalamazoo Institute of Art and Krasl Art Center Holiday Shows and the Textile
Arts Market in Grand Rapids. In 2012, I
participated in the Blue Ridge Fiber Show in Asheville, NC where I won First and Third Prizes in the professional
felting division. This year I was
included in the Handweavers Guild of America “Small Expressions” exhibit and am
very pleased to participate in the Kennedy Heights Arts Center's exhibit, “All
the Eyes Can Hold.”
I am inspired
by the versatility and resilience of felt.
It lends itself to both the decorative and functional alike and I am
constantly excited by the endless possibilities that it presents.
Betty Hazylett: Beyond commenting on the world around me, my work always includes focus
on the relationships among the elements of the piece itself. I love to
play with contrast because of the interest and excitement that it can bring to
a work.
In creating vessels I can focus on the contrast between what happens on
the inside and on the outside of the piece, as in “Earth and Water,” and on how
I can connect the inside to the outside, as in “Metastasis.” My love of
rich color is important, as is my love of texture and the different surfaces
that can be created with felt.
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Metastasis |
I am constantly looking at how one element changes, enhances, or
“speaks to” another, and at what these disparate elements communicate to the
observer. I look for
ways to engage the viewer to react to the form, color and texture of the piece,
to create their own personal dialog with the work.
In felting
three-dimensional pieces such as the vessels I have in this show, I have returned
to my love of sculptural forms. In focusing on vessels, I am exploring
new ways to create works that have volume and are self-supporting.
Both wonderful works and descriptions. Congratulations on having this show.
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